Belgian 1610-1690 David Teniers Gallery Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.  Related Paintings of David Teniers :. | Members of Antwerp Town Council and Masters of the Armament Guilds (Details) | Archduke Leopold William in his Gallery in Brussels | Drei musizierende Bauern | An Artist in his Studio | Self-Portrait:The Painter in his Studio |
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Agostino Tassi
(1578--1644) was an Italian painter, mostly of landscapes and seascapes. Because he aspired to nobility he modified the details of his early life. Though he was born in Perugia he claimed to have been born in Rome. His family name was Buonamici, but Agostino adopted the surname Tassi to give substance to his story that he was adopted by the Marchese Tassi. He was actually the son of a furrier named Domenico.
Victor Prouve
French, 1858-1943
John Neagle
1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.